On Wednesday 15 July 2013, ANU hosted a workshop that was part of the first phase in NYU’s Global Arts Exchange project. The bulk of the participants had only recently come through Shanghai, with a stopover in Perth for the NYU crew.
What is this project about?
This is the overview from the NYU website:
The exchange will bring together scholars, curators, and artists from each site and is meant to be generative for research, resulting in publications, exhibition development, and other research-based projects and programs to share and disseminate research, strengthen international networks of scholars and curators, and create ongoing dialogue between international colleagues, arts communities, and wider publics in the US, Asia/Pacific region, EU, Latin America, Africa, and Middle East in the expanding field of Asian/Asian Diasporic Art and Visual Cultures.
(NYU Global Asia/Pacific Art Exchange)
That all sounds great, but what did this creation of ongoing dialogue look like on the ground?
This post is my take on the event, viewed from a perspective that is extra-institutional (I’m into my third year in a non-academic role, though I’ve kept up convenorship of the AASRN).
The workshop took place in the European Studies Centre at ANU, where the Chair of AASRN, Professor Jacqueline Lo, is based. The team from NYU was led by Alexandra Chang, and included Tom Looser, Dipti Desai, and Francesca Tarocco (NYU – Shanghai). It was my first time meeting them all as the NYU collaboration is focused on the visual arts (which is not my field).
Dean Chan and Jacquie have led this initiative from the Australian end, and it is a part of INDAAR (International Network for Diasporic Asian Art Research) activity. INDAAR was founded as part of our ARC Discovery project, as was the AAFFN (Asian Australian Film Forum Network). One could justifiably think of them as two off-shoots of the AASRN that have gone on to create their own momentum and projects.
The workshop felt primarily like a familiarisation meeting, bringing together artists and academics who are working in the field of visual arts from the US/China/Australia. Most of the workshop was about introducing Australian material and context to the NYU crew, with input from the broader academic, vis.arts, and curatorial community in Canberra.